ICE CUBES: A deceptive day for a set of balls

Fri., March 11 - such a deceptive day for a set of balls. Fifty two degrees at 5 p.m., thirty one by 10 p.m. Damn you weathervane. No matter. I slipped into one of my Dolce & Gabbana Martini tuxes, grabbed my dressiest pals and went balling.

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ICE CUBES: A deceptive day for a set of balls

POSTED: Tuesday, March 15, 2011, 4:00 PM
Filed Under: Ice Cubes

Fri., March 11 — such a deceptive day for a set of balls. Fifty two degrees at 5 p.m., thirty one by 10 p.m. Damn you weathervane. No matter. I slipped into one of my Dolce & Gabbana Martini tuxes, grabbed my dressiest pals and went balling.

First out of the ball box, the Philadelphia Youth Orchestra's 2011 annual gala at The Union League. I have to confess that I ran late and was in and out of the tony affair. But this is where Maestro Louis Scaglione, President and Music Director of the Philadelphia Youth Orchestra organization, led 100+ classical musicians at Lincoln Hall in song; Berlioz’s "Roman Carnival Overture" and Stravinsky’s "Firebird Suite" to be exact. Tune Up Philly was also a beneficiary at the benefit and Studio Incamminati painted still lifes during the cocktail hour.

Next up at the Ballroom at the Bellvue, the White Tie Ball that benefited Variety — a children's charity — and paid homage to honoree Loraine Ballard Morrill, the news and community affairs director for Clear Channel Radio Philadelphia. This was way louder and younger than the PYO gala – big funk from CTO, a 16-foot ice wall for photo ops, a room of sports memorabilia in the silent auction area. Big. Big. Big.

Lastly, there was The College of Physicians of Philadelphia’s birthday party and masquerade ball for Dr. Thomas Dent Mutter’s 200th. Number one, outside of Dorian’s Parlor, and a vintage Spandau Ballet video shoot, you’re not likely to find so much Victorian dress. These weren’t costumes. This was a lifestyle. Second, there’s nothing more that I’d rather do than visit the Mutter Museum. For the annual ball, the Museum opens rooms of rarities and reconfigures its old exhibition items into something swellegant and with great portent. And third, Philadelphia Distilling brought Vieux Carré Absinthe and served it in an Absinthe water fountain as a punch in the VIP Lounge. Somebody said the cocktails were "alchemy inspired." I nearly swam in that alchemy fountain while Tony Micelli/Larry McKenna Jazz Band played on. Lastly, there was a monster sized cake with a top hat, a spleen and a volume of books designed by cake sculptor Chad Durkin of Exton-based Desserts International. At least I thought there was – could have been the Absinthe talking.

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Featuring everything from event roundups to concert reviews and sex talk, City Paper's Critical Mass is a space for off-the-wall coverage of Philly's A&E scene.

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