Secret Cinema's Dead Milkmen tribute

In this week's cover story, Dead Milkmen frontman Rodney Anonymous gives a small shout out to your fave obscure cinephile and mine, Jay Schwartz, and his Secret Cinema programs. In between bands, Schwartz will screen horror-ific films for concert-goers' own enjoyment. But he also sent out a heartfelt note to his mailing list that I think is worth a read; it explains Schwartz's history with the band and it's a fitting complement to Rodney's diary. From Jay: This message is not meant to convince you to attend this event. If you are mainly interested in the films, the ticket price might seem kind of high ($18.50 advance, $21 day of show). If you are a fan of the Dead Milkmen, you likely already have tickets (and if not, you might want to hurry and buy some!). Instead, we send this message just to brag and say how happy we are to be supporting our friends...and to reminisce a little. In the "pre-history" of the Secret Cinema, there were a handful of events that were trial runs for what developed into what SC ultimately became. Probably the most prototypical was a screening at Penn's Pi Lam fraternity house, around 1986-7, of the great "Swinging London" feature SMASHING TIME, plus assorted shorts and cartoons. The event was booked by future member of the Wishniaks Jim Moran, and timed to coincide with their weekly "happy hour" (yes, there was a time in America when college fraternities could promote regular free booze nights!). Most of the attendees passing through the doors were only momentarily distracted/confused by the movies showing near the entrance, which they quickly passed on their way to the open kegs in the basement. But sitting and enjoying the movies were a small handful of people, including, yep. the Dead Milkmen.

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Secret Cinema's Dead Milkmen tribute

POSTED: Friday, October 30, 2009, 6:07 PM
Filed Under: Movies | Music
In this week's cover story, Dead Milkmen frontman Rodney Anonymous gives a small shout out to your fave obscure cinephile and mine, Jay Schwartz, and his Secret Cinema programs. In between bands, Schwartz will screen horror-ific films for concert-goers' own enjoyment. But he also sent out a heartfelt note to his mailing list that I think is worth a read; it explains Schwartz's history with the band and it's a fitting complement to Rodney's diary. From Jay:
This message is not meant to convince you to attend this event. If you are mainly interested in the films, the ticket price might seem kind of high ($18.50 advance, $21 day of show). If you are a fan of the Dead Milkmen, you likely already have tickets (and if not, you might want to hurry and buy some!). Instead, we send this message just to brag and say how happy we are to be supporting our friends...and to reminisce a little. In the "pre-history" of the Secret Cinema, there were a handful of events that were trial runs for what developed into what SC ultimately became. Probably the most prototypical was a screening at Penn's Pi Lam fraternity house, around 1986-7, of the great "Swinging London" feature SMASHING TIME, plus assorted shorts and cartoons. The event was booked by future member of the Wishniaks Jim Moran, and timed to coincide with their weekly "happy hour" (yes, there was a time in America when college fraternities could promote regular free booze nights!). Most of the attendees passing through the doors were only momentarily distracted/confused by the movies showing near the entrance, which they quickly passed on their way to the open kegs in the basement. But sitting and enjoying the movies were a small handful of people, including, yep. the Dead Milkmen.

This led, some time later, to another experiment in 16mm film showing. The band was booked at the (now long-gone) Chestnut Cabaret, and asked me to bring my projector and show some of the same short films before their show...this time in front of hundreds of fans. The boisterous audience enjoyed the old cereal commercials, but asking them to get into films of 1940s swing music was probably a miscalculation on my part (though in fact, this very same reel was shown with good results this week at Ursinus College). Our next project together was better received. Joe and Dave from the group had begun to play live in small clubs as "Ornamental Wigwam," a folky duo that actually pre-dated the Dead Milkmen. They felt that this act, which performed seated, needed another dimension to make it entertaining, and they wanted films projected on themselves. They wore white lab coats to make it easier to see the films, and we hung a screen as a background. I have fond memories of the three of us splicing random lengths of educational and industrial films in my kitchen for the set-long reel we pieced together (although ultimately, the parts that worked best with the music were longer uncut films about a river and the solar system). My table still has a mark where someone (I think me) spilled splicing cement on it that night. It was probably one of the last times I used cement (rather than tape splices), and I think it was the only time Dave Blood was in my home. I've come to like that the table still has this scar. My one regret about Saturday's show is that Milkmen bassist Dave Blood will not be present. As many of you know, he took his own life in 2004, several years after the band originally broke up. That said, we're lucky to have them back (and Dandrew Stevens does a great job filling in on bass). Sure, the Phillies are playing and the Spectrum is closing, but you could have no more fun this Halloween than to see the Dead Milkmen at the Troc. Hope to see you there... Jay Schwartz The Secret Cinema

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