Weezer, (The Red Album)
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Weezer, (The Red Album)
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| Weezer self-titled (The Red Album) (Geffen) |
As a devoted fan of a fan of a band hasn’t delivered a truly satisfying album since 1996, I highly anticipated Weezer’s third eponymous-titled and sixth studio album, Weezer (Red Album). Would eccentric frontman Rivers Cuomo execute a return to form?
The answer is no, followed by a snarky scoff.
Aside from the buzzsaw guitar-rocking single “Pork and Beans,” the album ostensibly consists of slower Death Cab-lite tracks that diverge from Weezer’s trademark power pop ballads. There’s the nostalgic “Heart Songs,” where Cuomo opens his 10-track mind to namedrop his favorite childhood artists (from “a Cat named Stevens” to ABBA) in a more forgettable version of the Blue Album’s “In the Garage.”
In a creative decision to play musical chairs with their instruments this time around, Cuomo’s vocals are MIA on several songs, which may distress fans. By the sixth track, Cuomo has vanished from the forefront, replaced by guitarist Brian Bell, and subsequently, bassist Steven Shriner, making the listener suspect they’ve been tricked into buying some band’s record.
Another curious exclusion is the absence of a single guitar solo, a reliable constant in their previous hit anthems.
The best thing one could say about Weezer (Red Album) is the band’s refusal to repeat themselves, which it could be argued the band has attempted unsuccessfully in the past. The Green Album tried to reproduce the good-natured gawkiness of the Blue Album. Maladroit aspired to duplicate the shrill punk-alt edge of Pinkerton. This time, it’s a new color but may be the wrong hue.
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