Welcome House 101: Mary Tasillo and Michelle Wilson's cute cube overload

In conjunction with Design Philadelphia (which we covered in the Oct. 1, 2009, edition of City Paper), First Person Arts and InLiquid present the Welcome House, a 10-foot cube in which artists of all stripes settle in for a day and create. It's open-ended, inventive and often pretty wacky (we're talking knit-yourself-into-a-cocoon wacky). Our intrepid reporter Cristina Perachio's been at the House all week, observing, taking photos and reporting back. Photo | Cristina Perachio

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Welcome House 101: Mary Tasillo and Michelle Wilson's cute cube overload

POSTED: Monday, October 12, 2009, 8:00 PM

In conjunction with Design Philadelphia (which we covered in the Oct. 1, 2009, edition of City Paper), First Person Arts and InLiquid present the Welcome House, a 10-foot cube in which artists of all stripes settle in for a day and create. It's open-ended, inventive and often pretty wacky (we're talking knit-yourself-into-a-cocoon wacky). Our intrepid reporter Cristina Perachio's been at the House all week, observing, taking photos and reporting back.

Photo | Cristina Perachio

When I visited the Welcome House Friday, on an unusually warm October afternoon, the 10-foot cube was partially covered in orange, stenciled squares that reminded me of a kindergarten classroom. Maybe it was the bright colors, the way they were haphazardly stuck to the cube or the way the stencils seemed to be at totally random angles on the page. Whatever it was, it made me want to play tag, fingerprint or participate in a good ol' fashioned show-and-tell.

For the sixth day of the Welcome House free-form art festivities, Mary Tasillo and Michelle Wilson spent the day creating LOVE Park- and Welcome House-themed works on handmade paper with the crowd in the park. They used small screens to sift out the wet, pulpy orange mixture and then painted the sheets using stencils. The most popular stencils were the LOVE Park sign along with a bench and the word "welcome" in several different languages.'

Photo | Cristina Perachio

There were several skateboard-themed designs created by skaters scorned, but most of the designs looked like Rorschach inkblots in Crayola brights. This caught the attention of every 6-year-old in a four-block radius of the park.

There were two works, sitting side by side on the cube, that caught my eye. The one on the left was hung vertically and had a blue LOVE Park sign over a red bench with the words "casa" and "house" framing the word "safe"; the one on the right was hung horizontally and had a blue house and red bench with the word "house" written along the bottom in green and the word "safe" punctuated by a giant red question mark stenciled across the top.' The question mark gave the whole picture a look both daunting and unsure. I wonder if they were referring to the Welcome House itself, like so many other pictures created that day, or if it referred instead to the home of the artist.

 
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