In Memoriam
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Rich was 35 he had just turned 35 2 weeks ago. He was an amazing guy!!!He will be missed!!!! Rich you will never be forgotten I am so glad I got to chill with you back in the day. Memories I will always have!! You are in a better place now no more pain!! xoxoxoxoxox
Just got the news. He was a close frien of Mr. Bob Garza and even lived with Bob and Jredans sons. My condolences.
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| [source] |
| DJ Randy Flash |
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| meancards.com |
Now, the word from co-owner Ken Foster is, "We're doing OK, despite having to make the really tough decision to close the store after 15 years. We've moved full-time to our country house and 25 chickens have just joined us, so I have a great distraction while I decide what to do next."The storefront still packed with merch (no closeout sale?) is dark, and the website is "inaccessible temporarily." Where am I going to get my Mean Cards now?
very great article thanks
Auh shucks! I went by there the other day to buy a greeting card...this is a huge disappointment.
I was perusing the 'net for gift shops and came across Fosters and the customer reviews. Was all prepared to drive into town when I googled their website and saw this posting. I'm REALLY the last one to know!! Never got to experience the store but it sounds like a great loss to the city.
I am so bummed, I have a $150 gift e-card to spend here and despite "registering" it with the store I got no notification! Anyone know how we can get in touch with Ken Foster?
Message from Wendy Dio (http://www.ronniejamesdio.com/) Today my heart is broken, Ronnie passed away at 7:45am 16th May. Many, many friends and family were able to say their private good-byes before he peacefully passed away. Ronnie knew how much he was loved by all. We so appreciate the love and support that you have all given us. Please give us a few days of privacy to deal with this terrible loss. Please know he loved you all and his music will live on forever. - Wendy Dio You can leave your condolences on Facebook
Singer, Civil Rights activist and consummately classy lady from a bygone era Lena Horne died yesterday at 92. While Horne was best known for her rendition of "Stormy Weather" from the titular film, My first introduction to Horne was this:
For Cliff's birthday, Clair takes him and the fam to see Horne perform. It's a great episode (purchase here, stream the first part on YouTube here). Despite her Huxtable associations, her greatest performance to me is still this one:
No, it ain't easy at all. Sing it, Lena.
My paternal grandmother looks just like Ms. Lena Horne. My maternal grandmother always spoke of Ms. Horne. She told me about Lena's parents and how her granmother raised her and all about her New York life and southern life.
We will miss the beautiful voice of Ms.Horne by Barbara johnson on May 11,2010 at 11:25 am
Allen departed from the standard Hollywood way of cutting -- making smooth transitions starting with wide shots establishing place and characters and going on to medium shots and finally close-ups -- by beginning with close-ups or jump cuts. Although these editing methods had been pioneered by the French new wave and some British directors, Allen is generally credited with being the first to use and shape them in American film.(Luther's obit is highly recommended. She explains film editing without getting bogged down in film vocab. Other obits to check out: S.T. Vanairsdale further illuminates Allen's contribution to cinema by discussing five of her most iconic clips at Movieline.com, Inquirer Carrie Rickey has some nice anecdotes up on her Flick Grrl blog and Matt Zoller Seitz talks about the soul of Allen's work at Salon.) Allen's most fortuitous collaboration was with Philadelphia's own Arthur Penn. The Bonnie and Clyde director worked with Allen six times, and told the L.A. Times she was "not an editor, but a constructionist." In college, one of my film studies professors went through Bonnie and Clyde scene-by-scene and essentially taught us what editing was. I've got a lot of Allen favorites: Odds Against Tomorrow, Slap Shot, The Hustler and, of course, Bonnie and Clyde. What's your fave?
Dede Allen was not the first film editor to receive her own screen credit. Have you never watched movies? Look at silent films and see the editor's credit. Allen did get an opening credit in Bonnie & Clyde, which is believed to be a first for an editor, but let's get real...
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"Ultimately I was trying to re-create a whole history of pop culture within the basis of 20 or 30 tracks," McLaren claims. "I thought that by cutting things up, you wouldn't immediately receive something that would sound like a cliché. You might have heard a bit of it before, but you couldn't quite figure out what it's doing with this other bit. ... That was kind of a cool way of grabbing the ruins of a culture and throwing them together and giving them some basic architecture."Read the whole interview here.
Former leader of the seminal band Big Star and frontrunner of the power-pop genre, Alex Chilton passed away yesterday at the age of 59. Chilton's influence was likely farther reaching than his own music. Without Big Star, the Replacements, REM and other bands with a sugary exterior hiding darker undertones would likely sound vastly different.
Michael Pelusi summed up the band's history while reviewing the Big Star box set, Keep an Eye on the Sky:
In theory, the whole idea of box(ed) sets exists for cultishly adored bands such as Big Star. For many rock nerds, their saga passed into myth long ago. In Memphis, TN, in the early '70s, Chris Bell, Jody Stephens and Andy Hummel aspiring rockers obsessed with The Beatles, Kinks and Who hooked up with Alex Chilton, former lead singer of The Box Tops. (Chilton sang that band's big hit "The Letter" when he was 16 years old.) The quartet made #1 Record (1972), a sparkling, chiming record that all but pioneered the power-pop genre. Commercially, it bombed. Bell quit the band. The remaining trio made the spectacular follow-up Radio City (1974), a darker, more disjointed record. Commercially, it bombed. Hummel quit the band. Chilton, Stephens and an assortment of Memphis players then made Third (aka Sister Lovers), which was even darker and even more disjointed. Record labels wanted nothing to do with it. By the time Third was finally released in 1978 four years after it was recorded, and the same year that Chris Bell died in a car accident the band had long ceased existing. And commercially, the album bombed of course.
Out of their three records, I'd say Radio City is my favorite, but would recommend #1 Record to new listeners.
My favorite tribute so far has come from Tennessee Rep. Steve Cohen (D), who eulogized Chilton on the House floor today, saying that Chilton's "hard, different, indentpendent and beautiful" music was exemplary of his home state. You can watch the video on CSPAN, starting at around 26:30.
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