Archive: January, 2011

POSTED: Wednesday, January 19, 2011, 3:00 PM
You don't scare us, Glenn Beck!
- Glenn Beck: a name that rarely fails to spark up some sort of emotion in people's hearts. His followers are loyal and often rabid and his critics are calling for his head almost on a daily basis. Although you can lump me in the latter category, I found something on Phawker that Beck said recently that I don't think many of you will take too kindly. In a rant over his radio show recently, Beck voiced his concern over the safety in Camden and Philly, saying how he's fearful of strolling the city streets after dark ... and by city streets I mean Independence Mall ... and by dark I mean 6 p.m. Then, after justifying his words he simply said, "Philly sucks." Sometimes I really do feel like Beck was a robot constructed specifically for me to hate, and specifically attacking my place of residence only strengthens my resolve to stop him John Connor-style. So you heard it from Beck first, everybody: lock yourself indoors, buy a bunch of gold, pickle everything you own and wait for the Mad Max-style apocalypse. - There is good news today, however. While you're washing away your Glenn Beck-induced disappointment, know full well that you probably have the perfect ingredients to cure a disappointment-induced hangover. The Hairpin tells us about a few kids at Thomas Jefferson University that have their scientific two cents to throw in. They gave a few lab rats hangovers over and over with ethanol (pure alcohol), then tested different hangover remedies to see which worked the best. The results indicate that the best cure for a hangover is simple: a couch, a cup of coffee, and some aspirin. So save a few bucks and leave your coconut water at the door. Just get yourself into hangover pose and relax. - So the holidays have long since been wrapped up. Christmas presents have been given, bad presents have long been exchanged, and everyone has made — and probably subsequently broken — New Year's resolutions. We now enter the sort of winter dark ages, when our love of snow slowly turns to contemp as sparkling flakes become bits of crystallized frustration. Well, one guy from Phoenixville named Richard Gervasi, 43, decided enough was enough. He posted a proverbial "Florida or bust" sign on his back and got his ass down to the Florida Keys. Warm weather is something I don't feel like winter weary Pennsylvanians take for granted, but there's also a time to control one's excitement. Upon entering Florida, Gervasi got drunk, dropped acid, got naked, and started running through traffic. When police found Gervasi he was apparently saying he was "king of the world" and "made of steel." After his declaration of oneness with the world he was handily hit with a taser and arrested. Poor Richard, all the guy's got to look forward to now is getting out of prison and scrapping a sheet of ice off his car back in Pa.
Nora Hennesy
Posted 2011-01-19 11:49:07
Pure Awesomeness Sean!
tina
Posted 2011-01-19 13:42:32
This one is the bomb-diggity.
sean hannity
Posted 2011-01-19 13:51:33
BECK.....WTF who the hell dressed him? He'd pudgy, pallid and pussified. In that short bus outfit he should get attacked.
Lily
Posted 2011-01-19 14:14:15
have you always been this funny? LOL.
Posted by Sean Kearney @ 3:00 PM  Permalink | Post a comment
POSTED: Tuesday, January 18, 2011, 9:28 PM
Filed Under: Music
bootlegtunzworld.blogspot.com
Sonny Landreth plays WCL at the Queen Sun., April 3.
Starting here, starting now, the due-soon World Cafe Live at the Queen in Wilmington, Del., that Icepack tipped you to exclusively before the start of construction, has JUST put up its website. Jim Coleman is the exec chef (see our November scoop on Meal Ticket). The first act listed for the Queen, on April 3, is Sonny Landreth (though tickets are not yet on sale). After you look at the sites you can drive by and see what they've done to the old gal. World Cafe Live at the Queen, 500 N. Market St., Wilmington, Del., queen.worldcafelive.com.
Posted by A.D. Amorosi @ 9:28 PM  Permalink | Post a comment
POSTED: Tuesday, January 18, 2011, 9:00 PM
Filed Under: Music
Photo | George Miller
A preview of JUMP
You didn't really expect print media to just roll over and die, did you? In fact, as more and more blogs are created, so are more and more real-life, hold-'em-in-your-hands publications. The latest (in Philadelphia, anyway) is JUMP, a new local music quarterly started by George Miller, an assistant journalism professor at Temple University. Taking a cue from a class project that yielded a similar, London-centric magazine, JUMP features an assemblage of students, graduates and established writers at its helm. Each installment will have its own overarching theme, beginning with the first issue's exploration of local artists' homes. Along with the usual inclusions such as a concert calendar and review section, JUMP will boast a few uncommon columns, such as where to score some good eats before and after a show, and an inside look at how the staff puts each issue together. Sure, you might be wondering why someone would launch a new magazine in 2011, but Miller's reasoning is simpler than you might expect. "We can't compete with the online sites in terms of timeliness," he says, "but we can provide depth and longer-form storytelling, and big images and art." An artful return to the good old days of covering the city's music scene? Perhaps. But more than that, JUMP is a service, both to the music and those who enjoy it. Expect to snag the first copy of JUMP in March.
Posted by Eric Schuman @ 9:00 PM  Permalink | Post a comment
POSTED: Tuesday, January 18, 2011, 8:00 PM
Filed Under: Win
Attention all reality-TV addicts: When she's not busy skating with the stars, running ideas past The Martha, verbally clawing out the eyes of other New York housewives or planning her wedding while the world watches, Bethenny Frankel's on a tour bus (we're sure it's fully equipped with luxurious amenities for her dog, Cookie, self-penned self-help tomes like her forthcoming A Place of Yes: 10 Rules for Getting Everything You Want Out of Life, and, of course, low-calorie 'ritas out the wazoo). Bethenny is swinging by Philly on Friday (Jan. 21, 8 p.m., Merriam Theater, 250 S. Broad St., kimmelcenter.org) to talk "sass and fabulous fun" — i.e., how to live well and healthfully while being a hottie and actually enjoying yourself — and we've got a pair of tickets to give away. First, check out the Real Housewives of New York star's take on ho-bags and diet pills:
To win a pair of tickets to Friday's talk, answer the following trivia question:

What are the three ingredients in Bethenny's SkinnyGirl Margarita?

E-mail your answers to carolyn.huckabay@citypaper.net for a chance to win!
Posted by Carolyn Huckabay @ 8:00 PM  Permalink | Post a comment
POSTED: Tuesday, January 18, 2011, 7:00 PM
Filed Under: Arts Arts News
Portrait of Dr. Samuel D. Gross (The Gross Clinic), Thomas Eakins
A botched cleaning during the 1920s left this Thomas Eakins classic with something to be desired says Philadelphia Museum of Art CEO, Timothy Rub. "After carefully evaluating the painting's history and condition in collaboration with our colleagues at the Pennsylvania Academy of the Fine Arts, the decision was made to restore The Gross Clinic in a way that we believe accurately reflects the artist's intentions." The Gross Clinic , which recently came home to Philly, is heading over from The Philadelphia Museum of Art to the PAFA. With the help of over three-thousand donors, they have shared joint custody of the masterpiece since its purchase in 2007.
For more information, visit PAFA online.
Posted by Ryan Carey @ 7:00 PM  Permalink | Post a comment
POSTED: Tuesday, January 18, 2011, 5:00 PM
Filed Under: Shopping
Neighborhood Watch looks for Philly's most fashionable. This week: Our newest fashion seeker Kala Jamison ventures inside vintage boutiques to get a feel for what retro-lovers are wearing underneath all of those bulky jackets.
Retrospect (536 South St.,267-671-0116) is a non-consignment vintage shop with merchandise collected from a host of time periods. From Technicolor Sergeant Pepper-ish military jackets to Dynasty-esque glittering dresses with mile-high shoulder pads, the store is a veritable trove that gives off a very 1970s feel. Two Retrospect employees, Emily Rose Patz (24, above right) and Morgan Chambers (23, above left) each had plenty to say about the benefits of vintage shopping. "I've found a bunch of sixties mini dresses here, and I once got a Henri Bendel evening gown from the '50s," Patz says. Outside of vintage, she usually shops online at stores like Free People, Urban Outfitters, and Solestruck. Her winter wardrobe is packed with leggings and flannel, and she says good shoes or boots can really make an outfit. Chambers, meanwhile, says she hasn't been to a non-vintage clothing store since she can remember. She shops mostly from Retrospect and American Thrift in South Philly. She agrees that dressing for winter doesn't have to mean jeans or sweatpants every day. "I wear tights in winter," she says. "I never wear pants." It gets even sexier after the jump ...
Like Chambers, Karin Tyburczy (30), owner of Astro Vintage (720 S. Fifth St., 215-922-0483) also forgoes pants. Astro's collection of merchandise is brought in on consignment, as well as from people's personal collections and estate sales. "I only shop vintage and resale," she says. "There are just so many beautiful things to be had." Astro's vibe is more '50s than '70s, with its storefront display of colorfully-patterned shirtwaist dresses and demure handbags. Tyburczy says that the resurgence of the vintage style is due to the popularity of period television shows like Mad Men and its stylish leading lady, Joan Harris. "My dress is something Joan would wear," she says. "Wardrobe people from that show shop at stores like mine." Tyburczy likes to shop at other vintage stores like Wilbur and Sazz Vintage, and also believes that winter fashion isn't complete without the proper leg wear. "A wool skirt, leggings, and boots are warmer than jeans any day," she says.
Wilbur Vintage (716 S. Fourth St., 215-413-5809) owner Daniel Wilbur (41) definitely sees the fun in vintage shopping but likes to mix it up with newer pieces as well. "A lot of the time in Philly, vintage shopping is harder for guys," he says. "Vintage can sometimes look costume-y." To get his vintage fix without overdoing it, Wilbur shops at Amazon.com, Old City's Lost and Found and Zara in Rittenhouse Square. While the racks of clothing that line Wilbur's walls can't be forgotten, the real standout is the jewelry collection. There are shelves of gorgeous vintage earrings, chains, bracelets, rings, and cuffs in an array of styles from '20s Art Deco to '90s geometric shapes. Many pairs sell for as little as $5. Browsing vintage stores is one of the most entertaining and interesting ways to shop in the city. These stores bring the shopper into a decades-ago closet with endless styling possibilities. At a time when many people can't keep up with high-priced fashion, vintage shops offer affordable of-the-moment fashion. The fact that each and every vintage piece is imbued with a bit of history is only a bonus.
vivi
Posted 2011-01-18 12:26:16
Vintage is the way to go!

www.ViviVintage.com
rosemarie
Posted 2011-01-20 17:58:43
wilbur vintage a treasure!
Posted by Kala Jamison @ 5:00 PM  Permalink | Post a comment
POSTED: Tuesday, January 18, 2011, 4:00 PM
Leroy Johnson's found-art cityscape in his new exhibit, "Remnants of a City," takes you onboard an El ride filled with more than fifty years of commuting and collecting the streets — fragments of the sidewalk, bits of toys, newspaper shreds, faded photographs, spoons from Mickey Dees, you name it. The exhibit will run through Feb. 19th at the Magic Gardens, with a public reception and talk by the artist on Jan. 28th. Johnson stopped by the exhibit for MLK Day to lead an arts workshop for children. On a break, he took some time out to speak with CP about his artwork and its relation to MLK, but when the kids arrived, you could see who he really wanted to talk to.
"It's always children who see my artwork the best," says Johnson. "They inspect every word and detail just as carefully as someone reading James Joyce." That said, Johnson's dizzying play with perspective and medium — sometimes throwing in acrylics, photography, sharpies, and sculpture into the same piece — has more to say for itself than simply unaffected eagerness (even though there is a lot of that). A number of Johnson's ceramics and dioramas tell sobering stories of gang violence and the city's history of racial inequality; yet, they also do justice to Philly's in-your-face creativity that has grown up alongside the local artist, who recalled reading Richard Wright in the fifties and knowing then that he would be an artist. More good stuff after the jump ... For Johnson, education and imagination were the keys to Martin Luther King's dream of equality. And you can see it all happening in his art. "I feel like an alchemist in the studio. Trash, garbage, whatever you want to call it, I want to turn it into gold. When I was younger, I used to worry when I broke something. Now, I realize that I need those pieces so that I can form them into something new."
While Johnson's subjects are by no means limited to issues of race and urban inequality, works entitled "Lynching Series" and "Rest In Peace" are appropriate reminders of what, for many, is not a far-off chapter in Philadelphia history; the second piece depicts a churchyard scene that Johnson painted during the crack epidemic. "In the news, all you'd hear was that crack was everywhere. But I was in the hood, and I knew that every three houses there was a church; everyone was always praying. I needed to show that you can't know a person from just one encounter anymore than you can know a neighborhood from just one detail." Alongside these socially minded works, however, hang brightly-lit portraits of Philly's neighborhoods as seen from the El, a place where all city-goers share the same view — graffiti and picturesque skylines alike. As it turns out, these vignettes come from an affectionate nostalgia (something most commuters don't attribute to Market-Frankford). Recalling his hour-long commute from Eastwick, Johnson said, "Back then, you'd crossed the river on the trolley, look down, and see the water right below your feet."
Posted by Will Stone @ 4:00 PM  Permalink | Post a comment
POSTED: Tuesday, January 18, 2011, 3:16 PM
Leroy Johnson's found-art cityscape in his new exhibit "Remnants of a City" takes you onboard an El ride filled with more than fifty years of commuting and collecting the streets – fragments of the sidewalk, bits of toys, newspaper shreds, and faded photographs, spoons from McDonalds, you name it. The exhibit will run through February 19th at the Magic Gardens, with an opening public reception on January 28th. Johnson stopped by for MLK Day to lead an art workshop for children. He took some time out to speak with CP about his artwork and its relation to MLK, but when the kids arrived, you could see who he really wanted to talk to. "It's always children who see my artwork the best," said Johnson. "They inspect every word and detail just as carefully as someone reading James Joyce." That said, Johnson's dizzying play with perspective and medium – sometimes throwing in acrylic, photography, sharpies, and sculpture into the same piece – have more to say for themselves than an unaffected eagerness. A number of Johnson's ceramics and dioramas tell sobering stories of gang violence and Philly's history of racial inequality, while at the same reflecting the in-your-face creativity of a city that has grown up alongside the Philadelphia native, who recalled reading Richard Wright in the fifties and knowing then that he would be an artist, even if he was black. For Johnson, education and imagination were the keys to MLK's dream of equality. And you can see it all happening in his art. "I feel like an alchemist. Trash, garbage, whatever you want to call it, I want to turn it into gold...When I was younger, I used to worry when I would break something in the studio. Now, I realize that I need those broken pieces so that I can form them into something new." While Johnson's subjects are by no means limited to issues of race and urban inequality, works entitled "Lynching Series" and "Rest In Peace" are appropriate reminders of what, for many, is not a long forgotten chapter in Philadelphia history; the latter piece depicts a churchyard scene that Johnson painted during the crack epidemic: "In the news, all you'd hear was that crack was everywhere. But, I was in the hood, and I knew that every three houses there was a church; everyone was always praying. I needed to show that you can't know a person from just one encounter anymore than you can know a neighborhood from just one detail." Alongside these socially minded works, however, hang brightly-lit portraits of Philly's neighborhoods as seen from the El, a place where all city-goers share the same view – graffiti and picturesque skylines alike. As it turns out, these vignettes come from an affectionate nostalgia (something most commuters don't attribute to Market-Frankford); Recalling his hour-long commute from Eastwick, Johnson said, "You'd crossed the river on the trolley, look down, and see the water beneath your feet."
Posted by Will Stone @ 3:16 PM  Permalink | Post a comment
POSTED: Monday, January 17, 2011, 9:24 PM
Filed Under: TV
Ricky Gervais taking Hollywood to task as Golden Globe host.
Ricky Gervais clearly thought it was a roast of American entertainment when he accepted the job of hosting the 68th Golden Globes. Robert Downey Jr. thought Gervais' scalding one-liners went too far. Why, oh why RDJ? Things were going so well! You were riding high on my man-crush list with your recent flourish of laid-back, cocky lead roles where you take nothing seriously and save the day. But it turns out the real RDJ finds Hollywood jokes to be "mean-spirited" to the point of having "sinister undertones." Ricky Gervais: WIN RDJ: Fail
Christian Bale: WIN
Christian Bale is managing his post-freakout-gaffe years quite nicely, by donning full grunge-era Eddie Vedder locks and laying on his thickest cockney accent during an "us hooligans are having a blast at this party" acceptance speech. He was so convincing as a regular dude having a good old time, I almost forgot that two years ago he wouldn't have thought twice about head-butting a caterer for leaving the wrong blend of herbal tea in his makeup trailer.
Natalie Portman accepting Golden Globe
The pregnant and (thankfully) not-anorexic looking Natalie Portman gave a genuine but awkward speech about how her choreographer in Black Swan "wants to sleep with me" and how her grandmother is watching in Cincinatti, tying on a buzz. In her defense, she is now married to her choreographer, and who doesn't have an sloshy Nana? So I'll let her slip by with a win because she looked good in her preggers dress and was brilliant in the insane ballet art-flick. Natalie Portman: WIN Natalie Portman's character in Black Swan: (spoiler alert:) FAIL Colin Firth, who learned to speak with a speech impediment for his role in A King's Speech, managed to get through an exquisitely British acceptance speech without stuttering. Was I secretly hoping for a bit of accidental yammering? I'll never tell. Collin Firth: WIN Me: FAIL The Social Network snowballed through the awards, collecting four Globes, including Best Drama. The premier film to illuminate the digital coalescence of our collective unconscious is well on its way to being considered the most important film of the new decade. Has any other film told the tale of revolutionary social history without the vantage of decades in between? (If you're not familiar with the little start-up company called Facebook, then I'm frankly amazed that you're even reading this.) The HFPA (for making the right call!): WIN Those dudes who trusted a bitter geek with their plans for online Harvard socializing: FAIL
Chris Colfer reeling
Chris Colfer gave his best "I'm about to puke" face as his name was called for best Supporting Actor on Glee (which also won for best comedy/music series). His shaky, pre-pubescent "I don't belong here" schtick was pretty thorough, complete with cheesy love-struck nods to Natalie Portman and Julianne Moore (which came off as suspiciously over-compensatory — not that there's anything wrong with that!). Colfer: WIN Accomplished actors that lost to a kid who Justin Beiber could easily punch in the face at a laser-tag outing: FAIL
Posted by Ryan Carey @ 9:24 PM  Permalink | Post a comment
POSTED: Monday, January 17, 2011, 8:00 PM
Filed Under: TV
NBC.com
Lighten up, Hollywood!
This year's Golden Globes was a fairly reserved, ho-hum affair, with the exception of Ricky Gervais — who apparently wasn't kidding when he said he would try to not be invited to host again. From saying he helped the president of the Hollywood Foreign Press Association pop in his dentures to joking about Robert Downey Jr.'s long-past drug addiction and legal troubles, Gervais insulted nearly everyone in the room — and even some who weren't, like those old biddies from Sex and the City 2. I have to admit, though, that most of it was pretty funny and I felt my fair share of schadenfreude. Okay, I'll be honest, I fell asleep half way through, but the On-Demand video is worth watching if you can stomach the witty, gracious, and heart-warming acceptance speeches. The cast of Glee was too cute, and I loved seeing Lea Michele cry when Chris Colfer won best Supporting Actor in a TV Series. "I think I just dropped my heart between Natalie Portman and Julianne Moore, so if anyone sees that, please give it back to me," Colfer said before thanking the legion of young "outsiders" who watch Glee. His breathlessness and sincerity was adorable.
Colin Firth, who won Best Actor in a Drama Motion Picture for The King's Speech, shared his over-the-hill status by saying "Right now, this is all that stands between me and a Harley Davidson, so I owe you a very great debt." And Natalie Portman, who couldn't stop gushing about her fiance and babydaddy Benjamin Millepied, began what might have been a speech ended by sad orchestra music, but she seemed to have practiced ahead of time. She called her co-star Mila Kunis "sweet lips" and personally thanked what seemed like everyone on Black Swan's payroll. Did Gervais' fun-poking make everyone so sensitive? Or is Hollywood just going through a weird time right now? As cute as it all was, let's hope the Oscars are a little more stimulating. Check back later today for a "his" take on the Globes.
Posted by Bianca Brown @ 8:00 PM  Permalink | Post a comment
1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10
About this blog
Featuring everything from event roundups to concert reviews and sex talk, City Paper's Critical Mass is a space for off-the-wall coverage of Philly's A&E scene.

Follow Critical Mass editors Patrick Rapa and Emily Guendelsberger on Twitter:

@mission2denmark | @emilygee

Blog archives:
Past Archives: