Archive: February, 2011

POSTED: Wednesday, February 2, 2011, 9:00 PM
Filed Under: Ice Cubes
© Star Shooter/MediaPunchInc
Valencia with their bloody guitar
Nearly forgot to mention Valencia's performance at Radio 104.5 FM's Winter Jam at The Piazza at Schmidts. It was held against the backdrop of snow and ramps ... and blood. Anyway, they're going and raving – deedlelelelelele – and pow, the guitarist (either JD Perry or Brendan Walter, boy I'm not sure) cuts his finger on a string. Now, if you rip cuticle skin around your thumb, you'll bleed in the cold and it'll hurt. But shred and bleed? You've got yourself a KISS show. "Between the cold and how hard he was strumming, he bled all over his hand and guitar," reminds Ice pal/photog Scott Weiner who captured our moment. More moments and snaps can be found at Icepack in print and Illustrated at the Clog tomorrow ...
© Star Shooter/MediaPunchInc
Ouuuuuuuuuuch!
tsb
Posted 2011-02-05 01:37:37
It was JD Perry.
Posted by A.D. Amorosi @ 9:00 PM  Permalink | Post a comment
POSTED: Wednesday, February 2, 2011, 8:00 PM
Filed Under: Music | Show concert photos
photo by Alyssa Grenning
A sticky sauna of body odor and beer bottle condensation. "I'm wearing sweatpants and high heels," laughed frontwoman Bethany Cosentino when Best Coast appeared on stage at the Starlight Ballroom, which had been transformed into a sticky sauna of body odor and beer bottle condensation. Kids were clad in racer backs and moth-bitten Misfits tees with the cumbersome sleeves hacked off. It felt like summer. With plenty of cutesy crazy/lazy/hazy rhymes, surf guitar licks and girl on drums action Best Coast transported the audience to a warmer state. Not so impressively their show sounded nearly identical to the studio recording, which meant no four minute long bass and drum battles, no accosting experimental feedback, and no on stage freakouts. The show did serve its purpose as an excuse to brave the ice and hear the songs you already love in a room full of other fans, all of them suspending disbelief and pretending to be close to some balmy shoreline where sweatpants and high heels just seem natural.
Posted by Julia West @ 8:00 PM  Permalink | Post a comment
POSTED: Wednesday, February 2, 2011, 7:00 PM
Filed Under: Critical Mass | Just Opened
The framing business doesn't have much of a reputation when it comes to fatal attraction. But Frame Fatale is planning to change all of that.
Opening its door soon, the newcomer to Passyunk's thoroughfare of swanky, new storefronts will cater to every fantasy you've found yourself imagining whilst gazing at the enticing angles and alignments of a damn hot piece of frame. Owner and 12-year veteran of the biz, Elaine Nichols hopes the full-service custom frame shop, located at 1813 E. Passyunk Ave., will bring something new to the neighborhood's mix of creative minds. And Nichols is clearly a devotee of her craft. Most recently, she's worked at Frugal Frames in the Gayborhood, where she started up her tell-all blog, "Confessions of a Frugal Framer." Scrolling through the impressive framing feats detailed on her blog illustrates Nichols' full range: she's can do it all, from an original Picasso to a grandmother's mangled and glued quilt work. Go to Nichols' blog, and you'll find yourself in awe of, and actually interested in, what formerly felt to be (at least for me) an arcane trade. From 6 to 8 p.m. on Saturday, Feb. 12, Nichols will host a grand opening catered by Kristin Wood (James) and Patty Gilson (Soup Vixen). But, of course, all eyes will be on the goods.
jennifer esposito-tortorella
Posted 2011-02-02 14:34:20
soo proud of u my sweet sister!!!
mick hale
Posted 2011-02-02 15:47:14
SO MANY CONGRATTZ, Lady Elaine!!! Looks Fantastic !!! Best of Luck!!!!!!!!!!!!!!!!!!
Marilyn Phillips
Posted 2011-02-02 20:00:37
Pam posted this website on Facebook so I had to check it out!  Very impressive, we wish you the best of luck!  You are so talented and creative I know your business will excel!
Butch
Posted 2011-02-02 20:12:47
YEY!!!! See ya on the 12th! And get ready for a HUGE order!! I made need you to mark off a whole day 'cause you know I need undivided attention!!!
Posted by Will Stone @ 7:00 PM  Permalink | Post a comment
POSTED: Wednesday, February 2, 2011, 6:00 PM
Filed Under: Arts | Street Art Visual Art
It seems like every home along Mount Vernon St. between 37th and 38th sts., is abandoned. With boarded up windows and doorways, and chipped paint covering the facades, this doesn't do much for the appearance of the neighborhood, which, across the street from a park, could otherwise be deemed prime locale. To make a statement — or so it seems — on the beautification of blighted properties, an artist has decorated the homes with Warhol-esque butterflies. Check out the photos below:
Thanks to Ariella for sending in the photos. If you've taken images of street art that you'd like to share, feel free to send it my way with a description of the location and what the art means to you. Critical Mass likes sharing art of all genres, inside galleries and out. You can email me photos at joshua.middleton@citypaper.net.
Aine
Posted 2011-02-02 13:23:41
Cool idea however it's not really cute. Try doing it all over the entire window or door to make a difference.
DethMouse
Posted 2011-02-02 13:32:45
Looking for Street Art, huh? Well,I've been doing a lot of blogging lately on the local scene. Give it a look, will you? :)

http://tagthisphilly.blogspot.com/
Posted by Josh Middleton @ 6:00 PM  Permalink | Post a comment
POSTED: Wednesday, February 2, 2011, 5:00 PM
Every Wednesday, Critical Mass pokes around the blog world so you don't have to ...
denofgeek.com
➤ It's hard to go to a Philly blog without someone mentioning the city-approved explanation of why the last snowstorm sucked. How might they do this, you ask? Think of any boring office meeting and you have the answer: diagrams. As seen on Phawker, the official mayoral diagram blames the untouched roads on, I shit you not, the "Philadelphia Snow Sandwich." I guess because everybody knows things are always more complicated in sandwich form. Here's the gist of it: When we had our storm, we had a small layer of snow first, then a small layer of ice, then a large layer of snow. When the "plows" came through the "streets" we were left with what the diagram describes as 2 to 4 inches of hardpack snow. With the weather that's rolling in now, he better start thinking of what to call accumulation of sleet, freezing rain, and snow. Perhaps a snow hoagie (snowgie) or snow salad (not even going to try that one) diagram would suffice. ➤ On The Walrus: Milton Babbit, a Philly native who died on January 29, has been known for a ton of awesome things that not many (if any) can also claim. First off, he was an crazy musical brain, getting his BA at NYU and one of the first MFAs in music from Princeton. Hell, Princeton liked him so much they let him stick around and teach. Many at Princeton said he revolutionized music education. After teaching for a bit, RCA gave him a job as a consultant composer to work with the RCA Mark II Synthesizer, which, according to some, he also used to "revolutionize" electronic music. In lieu of the Philly composer's death, NPR released a free streaming documentary about the guy's life. ➤ If there's ever a day in the year that Pennsylvania is more like some kooky far-away mountain village, its Groundhog Day. Respectable American citizens from all walks of life stop to take part in the strange ritual of trying to predict the weather by messing around with a rodent — all while dressing up like Abe Lincoln. Punxsutawney's got to pay the bills somehow, I guess. Geekadelphia has been following Groundhog Day developments. They found that if you follow visitpa.com on Foursquare and check in anywhere in the world with the word "groundhog," you'll get a Groundhog Day badge. It's only valid today, though, so you better hop to it. If there's anything geeks like its swag, even if its Groundhog Day swag. Leave it to them to find a weirdly specific, but kind-of-cool deal for free stuff. Got to admit, it doesn't look half bad. BTW, the Groundhog saw his shadow today, which means this shitty winter's going to end soon! You better be right, you little asshole ...
Posted by Sean Kearney @ 5:00 PM  Permalink | Post a comment
POSTED: Wednesday, February 2, 2011, 4:00 PM
Filed Under: Comedy Stand-up
Last week's Ministry of Jokes performance was rescheduled because of the damn weather. Here are the new deets.
Posted by Ryan Carey @ 4:00 PM  Permalink | Post a comment
POSTED: Wednesday, February 2, 2011, 3:07 PM
Jeffrey Stanley
It's a one-man show, but award-winning playwright Jeffrey Stanley isn't the only one in it. At least, he hopes not. Beautiful Zion: A Book of the Dead is a 60-minute "autobiographical black comedy" whose supporting cast is made up of ghosts — if they're willing to make an appearance, Stanley says. An adjunct faculty member at New York University's prestigious Tisch School of the Arts, Stanley is workshopping this free work-in-progress in Philadelphia — his new home — at the historic Plays & Players theater. Years in the making, the new play combines elements of earlier works, including another black comedy Stanley performed in New York under the curation of Andy Warhol pal Neke Carson. Mix that with "inept dream interpretation," family history, and a Ouija tent, and the result is Beautiful Zion: A Book of the Dead. The play is "about communication between family members while they're alive and maybe even after they're dead," Stanley says. Expect humor, but also "a lot of death, a lot of suffering, a lot of human misery." One-man shows or otherwise, Stanley's works focus on shared experience: in performing his material, he's found "people in the audience have had the same tragedies," and the plays are ultimately "cathartic," both for the performer and the viewer. Beautiful Zion: A Book of the Dead is also interactive in a literal sense: Stanley will bring three audience members into the Ouija tent onstage to reach out to the dead. But ghosts can be unpredictable, so the last part of the show introduces an "element of randomness and chaos." Stanley has three possible endings worked out, based on what happens in the moment. Because it's a workshop, the audience will "get to be involved early in the process of creating a new show," the playwright notes. Afterward, he'll host a Q&A session, which will continue in Quig's Pub on the same floor as the play. Stanley hopes eventually to perform the show as part of the Philly Fringe or in another alternative venue, like the Laurel Hill Cemetery. Viewers get a free Ouija board on the backs of their playbills. Thu., Feb. 3, 8 p.m., free, Plays & Players, third floor, 1714 Delancey St.
Posted by Matt Cantor @ 3:07 PM  Permalink | Post a comment
POSTED: Tuesday, February 1, 2011, 7:00 PM
Filed Under: Arts | Critical Mass Visual Art
Daniel Traub
Ever wonder what a modern hippie commune would look like? In "Stalking the Wild Asparagus" — the current exhibit at the Print Center (1614 Latimer St.) — Keliy Anderson-Staley, Adrain Chesser, Timothy White Eagle, Lucas Foglia, Taj Forer and Justine Kurland took up-close-and-personal photographs of exactly that. The subjects include "groups and families who have constructed alternative societies in rural and wilderness settings, pursuing a diverse array of social, political, religious and spiritual visions."
LucasFoglia
Also at The Print Center is "Lots," by Daniel Traub. Traub documents vacant lots in Philadelphia, which are "both beautiful images as well as records of decay and rebirth." Philadelphia-born and dual resident of New York City and Shanghai, China, Traub's return to Philly continues to demonstrate his penchant for urban/natural semi-landscapes. Both exhibits will be on display at the Pring Center through March 5.
Posted by Ryan Carey @ 7:00 PM  Permalink | Post a comment
POSTED: Tuesday, February 1, 2011, 6:00 PM
The tagline for John Rosenberg's California Redemption Value reads, "HIV, Suicide, and Murder. In California, saying it is as good as doing it." Saying but not doing is certainly the theme of this show, but when it comes to performance, some doing needs to take place to maintain interest. Therein lies the flaw in what was otherwise a solidly acted and directed drama. The lagging force of California Redemption Value is the source material, which was drawn from director/writer Rosenberg's life. The whole premise is to watch a family of slackers sit in their living room; their dramas and intricacies are meant to be the action. They all have problems — mother Birdie is divorced, and her one-bedroom apartment is occupied by her daughter Annie; Annie's friend Sean; Birdie's troubled former acting student Lou; and occasionally her wayward collegiate son, Michael. None of them but Birdie has a job, the kids smoke weed, have no money, and Lou has lied about having HIV and has major daddy issues. Certainly not every family has these same problems, but every family has its own; there is nothing that turns this struggling group into one any more interesting than the millions that occupy America. While watching Michael roll a joint as Annie jokes, or seeing her defend Sean's presence to her mother, it feels a lot like spying on the home of any family, anywhere. The chemistry and character relationships were well-developed, but there was really no need to drag these scenes through two acts (with an intermission). The performers really held their own — Darren Johnson as Sean and Kevin Chick as Michael are winning comic relief. Julie Chapin's Birdie is a perfect example of an overwrought and angry mother who loves her children but doesn't know what to do for them. The direction was similarly interesting. During one scene, Annie and Michael walk directly into the audience, and in the intimate space of the Papermill Theater, it felt as though the viewer was a part of their most personal conversation. While the stage lights were down after a particularly hostile scene, an audience member whispered to his friend, "That's like every night at my house." That is the real problem with California Redemption Value — the performances were powerful enough to convey the family drama that everyone knows, but what is theater if not a chance to see something we don't? California Redemption Value runs through Feb. 6, $10, Papermill Theater, 2825 Ormes St., 510-292-6403, californiaredemptionvalue.blogspot.com.
Posted by Kala Jamison @ 6:00 PM  Permalink | Post a comment
POSTED: Tuesday, February 1, 2011, 5:00 PM
Filed Under: Critical Mass Fashion
Neighborhood Watch looks for Philly's most fashionable. This week, Kala stepped away from the warmth of the city's clothing shops to catch up with people braving the elements on the pavement.
Samantha Nihw (20) from East Falls, canvasses Philly neighborhoods for a charitable organization, so she's no stranger to dressing for the cold. When I saw her, she was wearing several layers, including pants from Buffalo Exchange (1713 Chestnut St.) and sneakers from Jessica Simpson's shoe line. She also shops at thrift stores like Goodwill and Second Time Around (1728 Chestnut St.), as well as the department store, Century 21. "And I love to shop online at Forever 21, because their website has more selection than their stores," she says. The key to dressing for her type of work, she iterates, is wearing warm layers underneath the more fashionable items of clothing she wants to show off — like her thick socks and other hand-me-down pieces she got from her mom. She completed her look with a button on her leather coat and a flower pin in her hair.
Elizabeth Thompson (24) from Society Hill, is a winter wardrobe fan because of the accessories like hats and scarves. She bought her camel-colored furry hat at an open-air market in Boston, but her brown leather shoes and black bag with gold accents are from Steve Madden (1723 Walnut St.). Like Nihw, she was wearing a piece crafted by her mother — the black scarf she was wearing. She says she loves shopping online, particularly on Amazon, and likes to mix up where she buys her clothes. "My coat is from the Land's End men's section," she laughs. Could have fooled me.
Kelly McManus (24) also from Society Hill, works in a fashion-restrictive lab at Penn, so she likes to break out her own style whenever she can. Her tall brown leather riding boots are from Bloomingdale's, and she got her Baby Phat coat from Burlington Coat Factory. "My friends make fun of my big furry collar, but it keeps me so warm." she says. "And it buttons at the neck so it doesn't blow back." To keep her legs toasty when she's walking around, she wears tights under her jeans, and says she can't wait for spring so she can wear sundresses and tee shirts. It's likely most Philadelphians would agree ...
Kim
Posted 2011-02-01 12:25:31
Just to be clear, the first outfit is so bad that it becomes ironic, therefore making it cool?
Veronica
Posted 2011-02-01 12:44:43
Fashion is art, Kim. Everyone sees something different. :)
Posted by Kala Jamison @ 5:00 PM  Permalink | Post a comment
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Featuring everything from event roundups to concert reviews and sex talk, City Paper's Critical Mass is a space for off-the-wall coverage of Philly's A&E scene.

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