Archive: July, 2010

POSTED: Friday, July 23, 2010, 4:30 PM
Filed Under: Arts Visual Art
Molly Eichel
A building has been on the rise at the corner of 16th and South for some time now. It's a bummer; as the grainy cell phone pic above shows, it will cover Jacob Landau's Tree Man mural. Brownstoner reported that contractors New Era Construction & Management had no plans for the mural because they couldn't find the owner of the Tree Man building. We knew this day was coming, but are sad to see it finally arrive. The Philly-born Landau also has work at the PMA, the Met and MOMA. He died in 2001. We've got a call into the Jacob Landau Institute for comment, so check back for updates. Below is a picture of Tree Man in full courtesy of the National Museum of Murals & Mosaics:
muralsandmosaics.org
liza
Posted 2010-07-23 15:06:00
this is so sad... it is one of my favorite philly murals.
mattack
Posted 2010-11-29 11:37:29
Can't find the owner? Did they try the Office of Property Assessment?
http://opa.phila.gov/opa.apps/Search/SearchForm.aspx?url=search
Posted by Molly Eichel @ 4:30 PM  Permalink | Post a comment
POSTED: Friday, July 23, 2010, 3:34 PM
Filed Under: Ice Cubes | TV
©Scott Weiner 2010
Bethenny Frankel
Well, I can see that the ladies responded to my Chris Noth at Parx IceCube from earlier this week. There are plenty of sexy men sightings (like Mario Lopez!) in my Icepack WHOWHATWHERE section and we just missed bumping into the hunky prog-rock likes of Rush while they slept at the Ritz-Carlton. But what about something for the men? Well, boys, here's Bethenny Frankel — star of the Real Housewives of New York and Bethenny Getting Married? — at the Franklin Mills Wine & Spirits store yesterday, selling and signing bottles of her all-natural, low calorie Skinnygirl Margarita. More than 500 peeps lined up and, yes, she did have a few swigs.
Posted by A.D. Amorosi @ 3:34 PM  Permalink | Post a comment
POSTED: Friday, July 23, 2010, 2:29 PM
Filed Under: Poetic License
Critical Mass welcomes devoted poet/avid concert-goer/nerd-grrrl extraordinaire Jane Cassady to the fold; her weekly horoscopes will run in this space every Friday morning. A Little St. Teresa, Some Cross-Dressing, and a Lot of Sarah Silverman Leo (July 24-Aug. 23): Well, it's summer, which means that we are now a little bit sucked into Big Brother 12. I admire the set artists who set up elaborate games in the jerktestants' backyard. Be the kind of evil genius who'd make people crawl through caramel and then dig through popcorn for the prize of running the house. Virgo (Aug. 24-Sept. 23): In her wonderful memoir, The Bedwetter: Stories of Courage, Redemption, and Pee, Sarah Silverman described her childhood depression as "I felt homesick, but I was home." Love the things that mean home to you. Kiss your vintage pitchers and cuddle the couch pillows. Don't be in a hurry to clean up after parties. Libra (Sept. 24-Oct. 21): Yesterday I spent the better part of a day trying to track down a lost library book. Last night, when the house cooled off enough to think, I sat down for a nice long session of bill-paying, paper-shredding and checkbook-balancing. Cross-dress as a Virgo this week. Have my kind of fun! Scorpio (Oct. 22-Nov. 22): Write a love song to your résumé. Praise your font choice, your years of experience concisely listed, your leaving off the phone numbers of mean people. Holy crap, you've accomplished some stuff. Sagittarius (Nov. 23-Dec. 22): St. Teresa of Avila wrote: "All concepts of God are like a jar we break, because only the infinite can contain our perfect love." Prepare for everything you love to come streaming through the windows like sunlight, scattering prisms. Capricorn (Dec. 23-Jan. 20) Ride the buses for their air-conditioning. See the whole city grid, the theater production of public transportation. Let your guard down and get chatty. Ride to the end of the line. Aquarius (Jan. 21-Feb. 19): I had a dance party last weekend and my friend's band played. I can't even put into words how happy I was when he revealed a Lady Gaga costume and sang "Paparazzi." Not only did I appreciate the work that went into learning one of my favorite songs, but he'd been hiding tights and gold Spanx underneath his jeans through half a set, in a sweltering apartment. Have that much commitment to your art — and your friends! Pisces (Feb. 20-March 20): Start collecting envelopes of all sizes, stamps of every denomination. Be as mail-prolific as semi-outsider artist Ray Johnson. List off your garden. Send stickers and music. We're all waiting like mail slots. Aries (March 21-April 18): I read somewhere that if you leave your stuff with someone, you are trying to make sure you see that person again. Leave important belongings everywhere: your camera in strange living rooms, your car on little side streets, your shoes in mysterious doorways. Almost anything could happen. Taurus (April 19-May 18): Be beautifully, snugglishly silly this week. Listen to the funny things that people say and say them louder. Tell your whole arsenal of jokes. Stage competitive dramatic readings of pop songs. Flip a coin to see who wins. Gemini (May 19-June 21): Enjoy this quote from my memoir-crush of the week, Sarah Silverman: "A lot of comics think the real threat of mental blockage lies in being happy. They fear that happiness or just dealing with their shit might make them not funny anymore. To me, that's a bunch of romanticized bullshit." Let's do it, Gemini. Let's get what we want and take our art with us. Cancer (June 22-July 23): (Again with the Sarah Silverman!) She says that her overarching philosophy of life is "Make it a treat." She tries not to overindulge in things she loves, so she won't get sick of them. She's talking about marijuana and fart jokes, but I believe it could be applied to anything. PREVIOUSLY >> July 16-22: Lady Gaga, William Carlos Williams and Band of Horses
Posted by Jane Cassady @ 2:29 PM  Permalink | Post a comment
POSTED: Thursday, July 22, 2010, 11:02 PM
Filed Under: Printed Matter
Here's what you missed if you didn't pick up today's City Paper.
FEATURES!
  • In her new film The Kids Are All Right, Lisa Cholodenko successfully presents an offbeat family in the most on-beat of ways. But despite the palpable portrayal, Sam Adams isn't quite sure "why we've landed on their house and not the next one over."
COLUMNS!
  • In Full Exposure, John Vetesse scopes a few local music/concert photographers. His goal? Find out what it takes to rise above the rest in a world full of camera-phone-toting pseudo photographers.
  • Patrick Rapa bids farewell to local (but soon to be Georgian) front man Art DiFuria, of the experimental Photon Band.
REVIEWS!
  • In the Flick Pick, Sam Adams gives The Complete Metropolis a fully restored version of the broken 1927 anti-utopian "future" film — an A-. And it only took 83 years to make sense. Huzzah!
  • New Movie Shorts on Agora, The Father of My Children and Salt.
AND THEN THERE'S...
Posted by Matthew Cahn @ 11:02 PM  Permalink | Post a comment
POSTED: Thursday, July 22, 2010, 10:30 PM
Filed Under: Shopping Fashion
Every week, Critical Mass finds Philly's most fashionable.
Nyidera Edwards
Nicole J. has been going chic for 39 years strong, putting her skills to good use on herself and others working as a stylist. Her H&M tube top is simple black and white but unique in design, complementing her black wide-leg pants and handbag. Her leather tassel earrings were also H&M and her mixed metal bangles were from Loehmanns. She says, "I stole the necklace from my daughter." Sneaky, Nicole, very sneaky! The Overbrook native says she loves Buffalo Exchange for their selection of jewelry and Halle Berry ranks #1 on her style list. Nicole's wise words: "Keep it simple and accessorize."
Dominique R. (22) has the heart of a vintage soul. She says, "I'm old fashioned. I was raised by my Grandmother so I'm into anything '40s-'70s." Her denim vest is from Retrospect (536 South St., 267-671-0116), the printed skirt and tube top were from Urban Outfitters and her lace-up leather flats are Steve Madden, where she works. Dominque says her look has no inspiration; she simply gets up and gets dressed depending on her mood. Her fashion icons are Katy Perry who is "very '60s and has versatile looks," Alexander McQueen "who brought a different aspect to shoes" and Lady Gaga "for obvious reasons."
Nyidera Edwards
Aminah D.'s (17) layered look screamed classic edge. The Levittown girl's funky hair and color play show a young fashion rebel in her prime. I loved the contrasted pairing of the green skinny-leg jeans with the red and black flannel and shredded graphic tee by Forever21. The rising freshman at Drexel says in style she loves Amber Rose for "her use of color and unique eyewear" and admires Rihanna's ability "to go dark and edgy but make it sophisticated." Aminah says her favorite store is Urban Outfitters but she also likes to thrift and hit up Goodwill. "Jewelry is a must, "Aminah decrees. "Jewelry changes the entire look."
Nyidera Edwards
Aminah D.'s partner in crime, Victoria C. (18) is an incoming Fashion Design/Merchandising student at Drexel as well. The New York native says, "Philly reminds me a lot of Manhattan." She says she's a huge Rihanna fan like Aminah, but her absolute icon is Betsey Johnson. "Everything is crazy but never in a bad way," Victoria says. "Her pieces are always eclectic." To thrive in the world of style, Victoria says, "You can't be afraid to take risks. As long as you have confidence, you can pull anything off."
Posted by Nyidera Edwards @ 10:30 PM  Permalink | Post a comment
POSTED: Thursday, July 22, 2010, 9:15 PM
Filed Under: Arts Dance
Alexander Iziliaev
Scene from "Journey of the Day" by Matthew Prescott Dancers (L to R): Kevin Yee-Chan, Laura Feig, Colby Damon, Tobin Del Cuore, Anitra Keegan, Tara Keating and Jennifer Goodman.
At the premiere of BalletX's 2010 Summer Series, the mood careened as quickly and often as the company's agile dancers. The show, which also celebrated the company's fifth anniversary, featured three stylistically disparate pieces, providing musical and emotional variety and a vivid snapshot of a maturing troupe. The first performance, "Journey of the Day," was choreographed by standout BalletX dancer Matthew Prescott to Appalachian Journey by Edgar Meyer, Mark O'Connor and Yo-Yo Ma. The female dancers wore pointe shoes and everyone wore smiles as they mimicked the buoyancy of the countrified string music with relevé upon relevé, jumps in attitude and chaîné turns with unraveling arms. Dancers repeatedly formed a "T"-shape with their upper arms, while letting their forearms dangle like playful marionettes. At times, the high-energy choreography felt stilted and lacking in cohesion, but it certainly showcased the company's athleticism and technical ballet background. While the piece offered a light, effervescent opener, it would be eclipsed by the emotional weight and involved narratives of its proceeding numbers.
Alexander Iziliaev
Duet from "Risk of Flight" by Adam Hougland. Dancers: Tara Keating and Matthew Prescott
BalletX premiered its second piece, "Risk of Flight," in 2007 when it began its residency at the Wilma Theater, and it was a welcome return. Choreographed by Adam Hougland to somber string music by Zoe Këating, the aesthetic was dark and sleek. Dancers wore minimalist black costumes and shifted from sharp stiffness to melting grace. The piece focused on a single couple — performed remarkably by Matthew Prescott and Tara Keating — who appeared to be reeling from some devastating loss or pain. From frenzied spasms to soft and delicate lifts, the couple attempted in vain to shoulder one another's agony. They traded strengths and weaknesses — Prescott crawling to Keating one moment and catching her fall the next — evoking a resonant scene without need for context.
Alexander Iziliae
Scene from "The Last Glass" by Matthew Neenan Duet by dancers Tobin Del Cuore and Chloe Horne
The third piece, "The Last Glass," called for a night of bohemian revelry. Choreographed to the cosmopolitan music of indie band Beirut, co-artistic director Matthew Neenan placed his dancers in a whimsical, if slightly inebriated world where they took on the joyous and tormented stories of several lovers. The twinkling keys of opening song "La Banlieue," combined with the women's dainty lace can-can skirts and coquettish demeanor, transported the audience somewhere between a fancy parlor room and a Montmartre cabaret. While Neenan seemed to zero in on the Parisian thread in Beirut's music, he also hinted at Latin partner dancing with undulating hips and sensually charged lifts during "The Akara" (a song from the band's Mexican-influenced EP). Yet the common instrumentation of most songs — typically ukulele, mandolin, horns and riotous drums — coupled with the unifying themes of flirtation and festivity made any sense of place or time feel irrelevant. The piece closed to "Elephant Gun," whose triumphant chorus "Let the seasons begin!" culminated in celebratory ensemble dancing. And it was certainly a triumphant series opener. With such a diverse show, you'll want to come back for more--or as Beirut's Zach Condon would say: Encore, une fois.
Alexander Iziliae
Scene from "Risk of Flight" by Adam Hougland. Dancers: full company cast
Posted by Julia Askenase @ 9:15 PM  Permalink | Post a comment
POSTED: Thursday, July 22, 2010, 8:28 PM

Shake it up...

Chambersburg, PA post-punk dudes The Shackeltons recently played their first Philly show in almost a year. It was a late set at The Khyber a few weeks back, and I was there with a camera and a digital audio recorder. The setlist was entirely composed of brooding, propulsive new material from their forthcoming record, and we'll tell you all about it in next week's paper — they're returning to the Khyber on the 29th, after all. For now, dig the above-streaming scenes and sounds of a song called "Feet."
Posted by john vettese @ 8:28 PM  Permalink | Post a comment
POSTED: Thursday, July 22, 2010, 6:14 PM
Filed Under: Arts Museum
Katie O.Clark/ ANSPT
Cataloging & Serials Librarian Bridget Clancy during a page-turning
It doesn't matter if you think birds are cool or not. Because old, huge, famous books will always be awesome. Take for example, Audubon's Birds of America at the Academy of Natural Sciences. John James Audubon's compendium of local birds is the rock star of avian album world, containing 435 life-sized hand-colored engravings by the famed naturalist. Every Friday at 3:15 p.m., museum staffers turn a page in the comprehensive book and come one week closer to its bottom cover. At this page-per-week rate, the book will take over eight years to plow through. Included in the page turning is a short presentation about the book's past, Audubon's personal relation to the Academy and information about how the plates were made. Of course, there will be a chance to learn about the bird of the week.
Ewell Sale Stewart Library/ ANSP
Birds of America is considered one of the rarest books in the Academy's library, so to preserve its condition, staff members take precautions: The book rests in a locked case with an acrylic coating that denies UV light the chance to damage such a prized possession. In addition, employees wear white gloves during the turning to ensure book (and bird) safety. Bird of America's pages have been turning for many years now, but the museum only invited the public to watch it all go down in the past 12 months. Go watch the pages of history turn, literally.
Ewell Sale Stewart Library/ ANSP

Every Fri., 3:15 p.m., $10-$12, Academy of Natural Sciences, 19th St. and Ben Franklin Parkway, 215-299-1000.

Posted by Admin @ 6:14 PM  Permalink | Post a comment
POSTED: Thursday, July 22, 2010, 4:59 PM
Filed Under: Arts
Ken Finkel at Brownstoner wrote chuckle-worthy open letter to artist Claes Oldenburg (he of the Clothespin at 15th and Market and Split Button on Locust Walk) decrying the famed artist's proposed paintbrush for Lenfest Plaza. In addition to giving some nice background on Oldenburg and his history in Philly, Finkel calls out the sculptor for being too conservative design:
Admittedly, Cherry Street is a tough site. A paintbrush fits; a lit paintbrush doubling as a beacon offers a glimpse of your old, playful style. And we think the blob of paint on the sidewalk is a nice touch. But you say you wanted to propose something "that in some way relates to the site" next to the Pennsylvania Academy of the Fine Arts? How about tapping the Academy's richly ironic history? Didn't you see possibilities in Peale's pulling back the curtain for visitors in his iconic painting, The Artist in His Museum? Or what about working with the loincloth Thomas Eakins removed from a male model, to better teach anatomy? (That lesson nearly cost him his career.) I'm sure there are any number of possibilities the old Oldenburg would have explored.
Finkel would rather have Oldenburg's coloassal screw, which he proposed for Sao Paolo, Brazil in 1971.
Posted by Molly Eichel @ 4:59 PM  Permalink | Post a comment
POSTED: Wednesday, July 21, 2010, 8:36 PM
Filed Under: Music Philly Bands
While pondering why mash-ups of Major Lazer's "Pon de Floor" are always hilarious, we forgot that the Diplo and Switch had a new EP on deck. The vampire hunters have the entirety of Lazers Never Die streaming now on their MySpace page, including an M.I.A. collabo and a Thom Yorke re-mix. Bon appetite.
Posted by Molly Eichel @ 8:36 PM  Permalink | Post a comment
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About this blog
Featuring everything from event roundups to concert reviews and sex talk, City Paper's Critical Mass is a space for off-the-wall coverage of Philly's A&E scene.

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