Archive: November, 2012
Assuming I don’t run out, I’ll be posting some of the best songs/videos of the year every night at midnight. Or my favorites, anyway. Some might be great songs with awful videos. Or vice versa. Some could just be hipster bullshit. Hopefully you’ll discover something you like. I'd rather see Philly rap wunderkind Meek Mill trading slow, filthy/sacrilegious metaphors with a cupcake like Drake than buzzmarketing with Rick Ross. I'm betting this song in particular is the one that set that preacher off.
The Electric Factory was probably an appropriate place for Passion Pit to play last night — at least in name. The band's performance was, itself, electrifying. And of course, the band is often categorized as "electropop." From the moment the band took the stage, lead singer Michael Angelakos channeled all the electro-chemical impulses in his body and fused them with the electronic admixture of synthetic and acoustic instruments to create an extremely energetic set.
Assuming I don’t run out, I’ll be posting some of the best songs/videos of the year every night at midnight. Or my favorites, anyway. Some might be great songs with awful videos. Or vice versa. Some could just be hipster bullshit. Hopefully you’ll discover something you like. I first saw The Dirty Ghosts in a basement in Austin and I was smitten with the way they rocked the room as if there wasn't a portapotty 10 feet from the stage.

Weathervane Music is a Philly-based nonprofit that gives independent artists a boost while building community and releasing great new music. Shaking Through is their kickass documentary video series wherein we watch the songs sprout and bloom. Uh. The video explains it better. Right now they're raising money for Volume 4. They could use your support.
Assuming I don’t run out, I’ll be posting some of the best songs/videos of the year every night at midnight. Or my favorites, anyway. Some might be great songs with awful videos. Or vice versa. Some could just be hipster bullshit. Hopefully you’ll discover something you like. Bob Mould, formerly of Sugar and Hüsker Dü, put out an excellent album this year, Silver Age. It's his most Sugary stuff in years, and is best played loud and often.

As the rabid turnout for Exhumed Films’ annual 24-Hour Horrorthon exemplifies, nostalgia plays a huge role in horror fanatics’ adoration of even the dreckiest films from their younger days. In her new book, House of Psychotic Women, film programmer and journalist Kier-La Janisse explores the idea of female neurosis in horror films through an autobiographical look at her own fright-flick-obsessed youth. The title comes from a 1973 Spanish film starring unlikely horror idol Paul Naschy as a drifter who dreams of strangling women (the film is also known as Blue Eyes of the Broken Doll – if only Euro-sleaze filmmakers were as adept at pacing and coherent storytelling as they were at devising baroque titles). Exhumed’s Joseph A. Gervasi will present an evening with both Houses, featuring a screening of an uncut video print with an introduction and discussion by Janisse.
Wed., Nov. 28, 8 p.m., $8, PhilaMOCA, 531 N. 12th St., www.philamoca.org.
Assuming I don’t run out, I’ll be posting some of the best songs/videos of the year every night at midnight. Or my favorites, anyway. Some of these might be great songs with awful videos. Or vice versa. Some could just be hipster bullshit. Hopefully you’ll see something you like. This might be my favorite song of the year. Ignoring the snobby eagle in the beginning, it’s a pretty kickass video. Plus, they’re totally a Philly band.





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