HI FIVE
FATBACK
The Fattest of Fatback
(Rhino)
In the '70s, this band boogied beautifully between funk and disco and produced a handful of classic tracks. This "best of" gives you several new reasons to get down.
 
IGGY AND THE STOOGES
Raw Power
(Sony Legacy)
This 1973 punk-rock classic still packs a punch. Recently remixed by Iggy himself, it's grungier and more rhythm-heavy than the Bowie-mixed original.
 
LUSK
Free Mars
(Zoo)
Hungry for '80s cheese? This radical disc recalls bodacious bands like Depeche Mode and Orchestral Maneuvers in the Dark. Crank it at the mall food court!
 
NUMBER ONE CUP
Wrecked By Lions
(Flydaddy)
Imagine a slightly poppier, but no less gritty take on classic Pavement that's more memorable than anything Nerf Herder or Weezer have ever done.
 
QUASI
R&B Transmogrification
(Up)
This Portland piano/guitar/drums duo features Sleater-Kinney drummer Janet Weiss and Heatmiser's Sam Coomes. It ain't exactly R&B, but low-key punk-pop with a lot of soul.



LOW FIVE
DOLCE AND GABBANA
D&G Music
(Popular)
Italian designers Dolce and Gabbana may be all the rage on the runways of Milan, but this horrendous collection of C&C Music Factory knockoffs proves that they should stay off the dance floor.
 
M/MONADE
All City Louisville split 7"
(All City)
M is David Pajo (formerly of Slint). Monade is Laetitia Sadier (sultry Frenchy vocalist for Stereolab). Sounds good on paper - maybe that's why the liner notes are more engrossing than the music.
 
MAKE UP
After Dark
(Dischord)
Even Ian Svenonius' great Jon Spencer impersonation can't save this D.C. band from being mediocre blues-punk.
 
SPARKLER
Wicker Park
(Revolution)
They've got the look of early '70s Rolling Stones down pat. Now if they'd only play tunes half as good as Exile on Main Street, instead of crappy pop grunge, they'd be great.
 
RAY STEVENS
Hum It
(MCA)
Remember '70s novelty hit "The Streak"? America's unfunniest one-hit-wonder is on the comeback trail with countrified hits like "Too Drunk to Fish." Ray, haven't you learned that some things - like this album - should be kept undercover?


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