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Sam Adams reviews The Hangover 3
Most sequels repeat their predecessors with diminishing returns, but The Hangover 3 tries a different tack...
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Drew Lazor reviews Noah Baumbach's cheeriest film yet.
An intentionally directionless exploration of post-collegiate ennui, especially one set in New York City sounds like the worst environment for harvesting wild charm...
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Shaun Brady reviews Love is All You Need
Whether in her native Denmark or in America, Susanne Bier has a tendency to strike an uneasy balance between pungent melodrama...
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Drew Lazor reviews Fast & Furious 6.
The rare blockbuster franchise to actually pay attention to what interests its audience...
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Sam Adams reviews Deceptive Practice: The Mysteries and Mentors of Ricky Jay.
A proud throwback to the days when a vaudeville magician could earn a living with a few superlatively crafted minutes...
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Rounding up this week's one-off movie screenings.
VHS makes a come-back and Capote gets some love.
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A father-son conflict plays out against the shifting landscape of the Plains states
As bold an attempt at rewriting American myth as The Place Beyond the Pines, Ramin Bahrani’s broadly drawn fable is also a substantially more foolhardy one...
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The latest Star Trek flick relies too heavily on slick action sequences and not enough on the excellent cast.
Star Trek Into Darkness is a disappointment but not an unwatchable one...
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Olivier Assayas’ hazy memory piece leaves a lasting mark.
The American title of Olivier Assayas’ hazy memory piece portends great things to come, but in the original French, Après Mai (“After May”), it’s clear they’ve already happened...
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An old-fashioned seafaring yarn that doesn’t let the truth get in the way of a few good archetypes
Thor Heyerdahl’s 1947 expedition across the Pacific on a balsa-wood raft never quite settled the point he set out to make...
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